More information relating to Paramount Studio’s decision to stop using film. This is a compelling, brief, interview about the power of archiving. How does archiving change when everything is immaterial?
WOW. Please don’t send me hate mail.
Impulsiveness and Media Multitasking. Still, I argue it’s better to do one thing at a time. JUST ONE THING. OKAY? What’s so wrong with sustained concentration?
Net Neutrality in Canada.
Angry Birds, now with more things to make you
creative approach to coding. She uses THIS software if you are inspired.
More information related to the I
nternet of Things (re: last week’s post about Google acquiring NEST)
Posted in 4890, THE SHALLOWS, Winter 2014 |
Tagged 4890, All Tech Considered, CBC Spark, CodeArt, Google + NEST, linkshare, Multitasking, Net Neutrality, NSA, online dating, spies, spying, technology, winter 2014, Winter2014 |
A series of scholarly or popular articles relating to class readings and discussions
GOOGLEIS EVERYWHERE. (THE CALL CAME FROM INSIDE THE HOUSE!) Article in The
Google’s buys NEST.
Guardian Don’t know the
call came from inside the house reference? Overview | TV/Movie Tropes | The movie (I think the entire thing is on YouTube).
Paramount Studios says, No more film.
On a related note, an
exhibition at Ryerson Image Centre (are you in Photo? Join us on Friday’s bus trip) that explores the demise of film-manufacturing facilities and industrial darkrooms.
A recent court you should care about.
And, relating to that case, three things no one
Three dangers of losing net neutrality
TECHNOLOGY AND THE HUMAN CONDITION
A counter argument to the idea that technology is driving us apart.
Pay special attention to this article because we will be reading excerpts from “
Alone Together: Why We Expect More From Technology and Less From Each Other” by Sherry Turkle.
TED talk by Sherry Turkle
Posted in 4890, LinkShare, THE SHALLOWS, Winter 2014 |
Tagged Google + NEST, Net Neutrality, No More Film, Sherry Turkle, technology, technology dependent, The New York Times, The Shallows, Winter2014 |